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Perky and Quirky!
Outside In by Becky Goldsmith

Outside In by Becky Goldsmith

 

 

I’ve been editing the Piece O’ Cake books since Becky Goldsmith & Linda Jenkins joined the C&T family in 2002, and I’m constantly amazed at the way they keep coming up with fresh, new ideas.

“Perky and quirky” is how Becky describes the duo’s latest book, Appliqué with Attitude from Piece O’ Cake Designs. After all the time they’ve spent perfecting their appliqué stitches so they are invisible, they decided to try  making stitches that are very bold and visible. The perle cotton stitches stitches have a happy, carefree appearance, and the perle cotton adds a new texture to the appliqué. These project are totally fun and definitely have attitude.

I think my favorites are the Chirps. Here are 2 of the 4 little 10″ x 10″ quilts (made by Linda Jenkins). They are so chirpy and perky, perfect for brightening any little spot in your house.

Chirps by Linda Jenkins             Chirps by Linda Jenkins

Of course, there are quilts such as Forever Fresh, made by Becky and quilted by Linda

Forever Fresh by Piece O'cake Designs

 

Tea Towels made by Becky

Tea Towels by Becky Goldsmith

And Perfectly Pretty Pillows made by Linda

Perfectly Pretty Pillows by Linda Jenkins

 

So get out your perle cotton thread and start stitching some attitude!

Applique with Attitude cover

Related posts:

  1. Christmas is coming…time for a giveaway!
  2. Do I spy another baby?
  3. Inspired by the C&T Blog
Silk & Fiber Evening Purse project

Silk Purse by Kathie Briggs

With Spring giving hints to warmer weather to come, it’s a great time for stocking fresh accessories for upcoming events and outings. Kathie BriggsArtful Fiber a contemporary fiber artist and Creative Trouper, created this exquisite silk evening bag using fibers and materials from this months new product, Artful Fiber—A Mixed Pack of Fibers & Surfaces. Kathie’s instructions will help you create your first new piece of the season and it’s a beauty.

Silk Evening Bag

Designed by Kathie Briggs

Materials:

  • silk fabric & silk linen (ArtfulFiber)
  • Shape-Flex® interfacing(Artful Fiber)
  • Silk Fibers (Artful Fiber)
  • Silk rod (Artful Fiber)
  • lightweight double sided fusible 11 x 16″
  • Fiberglass screening (available at hardware stores)
  • Clothes pins
  • Silk dyes or fabric paint
  • Silk for lining 11” x 16”
  • Batting 11” x 16”
  • Set of magnetic snaps
  • 60” cording
  • Decorative thread
Instructions:

1.  Make silk “paper” from silk fibers:

  • Use a plastic portable work surface. On this, place a piece of fiberglass screen. Lay the fibers out in thin layers, first horizontally, then vertically. (I used two layers but you can make 3-4 for thicker paper.) Then cover the fibers with a second piece of screening and clamp with clothespins.
  • Using a foam brush, wet the fibers with a mixture of dish soap and water (a couple drops of soap per cup of water). Be sure the fibers are wet all the way through, then blot excess with a paper towel.
  • Use textile medium, slightly diluted with water (about 3:1) as adhesive. Spread it on each side and make sure it goes all the way through.
  •  Attach screen to a drying rack and let dry overnight before peeling away the screen.

2.  Dye your silk fiber, silk rod and any silk fabrics with silk dyes or fabric paint (follow manufactures instructions). Allow to dry.

3.  Using Shape-Flex, add interfacing to the silk and silk-linen fabric (follow manufactures instructions).

4.  Using the double sided fusible, fuse together the 11″x16″ batting to the 11″ x 16″ silk lining.

5.  Using a foundation piecing technique, piece together strips of the various silk and silk blend fabrics onto the batting/lining. Then quilt in an irregular grid pattern using decorative thread.

6.  Trim the quilted fabric to 9” x 14”.  Add binding to the short ends (see step 9).

quilted fabric to be trimmed

7.  Place the quilted fabric lining side up.  Fold up the bottom 6” and pin in place.

turn in top and bottom

8.  Fold down the top  2½” inches and pin in place.

9.  Binding the sides: cut silk strips 2½” wide and 1” longer than each side. Press the ends under ½” then press the strips in half. Open strip (inside facing up) and align along an outside edge/side of purse.  sew ¼” from the edge. Press binding to the inside, turn edge and hand stitch in place.silk flower embellishment

10.  Attach a magnetic snap (or desired closure). Stitch top flap closed along bound edge.

11.  Sew a 60” piece of cording for the strap using a wide zigzag stitch.  Sew around diameter twice.

12.  The flower embellishment is made from the silk paper (step 1) and silk scraps. The center is a silk rod that has been wound tight. Hand stitch the flower to the flap.

 

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Listen to Your Quilt is here….plus a giveaway!

 

Listen to Your Quilt coverBarbara Persing‘s latest book, Listen to Your Quilt, is here and offers a tight little process to Select the Perfect Quilting Every Time * 4 Simple Steps. In prepping to write this post, and having seen only the cover, I will say, the teensiest bit of skepticism had come up (terms like “Perfect” and “Every Time” and “Simple” all in the same place just do that to me sometimes). My trusty Bernina 1180 has seen me through piecing and quilting of several dozen projects, and I’ve “hummed along” through a scant amount of hand quilting pieces – some projects with design in mind, and some not. The majority of my time and energy has been spent on piecing, so I have a lot to learn about quilting. Well, guess what? The process of listening – in Persing’s suggested 4 steps – really is…simple!

By way of encouragement and inspiration, Persing shares her story and a few gentle reminders like this one, “Quilting is a form of self-expression, and as such, it doesn’t need rules. Rules are necessary in many places. For example, I have rules at home—but I am raising two children, and, without rules, there is conflict. For quilting, however, following good guidelines will help you be technically better. If you already have a method that works for you and that achieves the same result, stay with your method. There are no rules in quilting.” Delightful freedom? Yes! None of the suggestions call for marking? Fantastic! This can even apply to Traditional projects? Uh, whoa there, missy. Traditionals are the most challenging for me, so I had to put on the brakes and dig a little deeper.

Large Blue Silver Fern by Barbara Persing

Here’s what I found: Simple category breakouts plus chapters that follow Persing’s suggested process make this book a pleasure to page through….and practice.

Category Breakouts: Listen to Your Quilt is easy to navigate because of the categories: Traditional, Contemporary, Art,  and Children’s. In my own projects, I have strengths in some categories and weaknesses in others. Art quilt designs come easy for me, but ideas are always welcome. Traditional pieces just plain intimidate me, so I need more support, information and ideas in order for me take on a traditional project. The breakouts are simple and easy to identify and follow because she explains how and why she is identifying her categories (such as a Contemporary quilt vs. a Children’s quilt).

Chapters Are Full of Examples: The 4-step process is shown and spelled out for each project. It’s like being taken through Persing’s process quilt by quilt.

Test Driving the Process
I unearthed a quilt top that qualifies as Traditional, just to test drive her process. As I’m among friends, I’ll confide that I’ve been stuck on how to finish this for years. Like, almost 10 years. So, I cleared my brain about “You don’t know anything about traditional quilting,” turned to the Traditional chapter, read it and went through the process. In framing Persing’s simple steps around my own UFO (unfinished object), I found I was looking at this project and thinking about it in ways that turned out to be listening. Ideas came – and some went – but chances now are much better that I’ll actually finish it. HA! Who knew?

Bliss by Barbara persing

Now for the giveaway…one lucky person will win a copy of Listen to Your Quilt! (Yeah!) To enter, leave a comment on this post telling us about the types of quilting you most enjoy, which ones are a mystery, and which you are working up the gumption to try.
For a second entry, log in to your Amazon account and “like” this book,  then come back here to leave a separate comment saying you did so.
Deadline to enter is Sunday, 5/20/12. One comment will be drawn at random to win…the winner will be contacted via email and listed here as an update to this post. Good listening & good quilting to you!

5/21/12 UPDATE: Kay is our winner – congratulations!

 

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Congratulations Andy!

Congratulations to Andy LaFaille who just marked his 20th anniversary with C&T! Woo Hoo! Andy is the Fulfillment Manager who supervises the warehouse to make sure that all the wonderful C&T products get shipped out on time and accurately. You couldn’t find a nicer guy.

Andy’s request for his celebratory lunch was a company potluck. Needless to say, we all loved that idea.

Lining up for the potluck buffet

Andy reading from the thank-you note that accompanied his anniversary gift

A delicious time was had by all.

 

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Looking for a developmental editor with quilting experience

I have some good news and some bad news. The bad news is that one of our developmental editors is resigning. We are going to miss her! The good news is that she’ll be staying in the C&T Publishing family as a freelance editor.

Then I have more good news: this means there is a job opening for someone new (perhaps you?) at C&T. We are searching for that certain someone who has editing, writing, and organizational experience and skills combined with quilting, sewing, and soft craft knowledge.

Visit our website, www.ctpub.com, and read the developmental editor job description. If you feel you’re right for the job, email me at teresas@ctpub.com. Be sure to share the details of your quilting/crafting life in your cover letter.

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Free project: Fabric scrapbook layout

IsabellaLayoutYesterday I was a guest demonstrator on two different all-day live webcasts, Creative Edventures and The Odd Show. Both webcasts were celebrating National Scrapbooking Day. At each show, I shared some techniques for using LutradurUltra-Light Lutradur, and fabrics in a scrapbook layout, with fast2fuse as the page’s foundation. The collage-style process is fun and easy – it’s just layering pieces together using fusibles.

This little girl is Isabella, the daughter of one of our sales reps, Tina. Isabella was one of the models in the new Stash Books release, Hat Shop, and this pose was from the photo shoot. The shimmery texture of the Lutradur treated with Iridescent Medium makes her look even more beautiful!

Materials:
-  Two pieces fast2fuse® heavyweight (9″ x 11.5″ and 3″ x 3″)
-  One piece background fabric (9″ x 11.5″)
-  Two pieces Ultra-Light Lutradur® (varied sizes as desired)
-  Two pieces contrasting fabrics to frame photo (varied sizes as desired)
-  One sheet Lutradur® (8.5″ x 11″ –  70 or 100 gram)
-  Liquitex® Iridescent Medium
-  Angelina fibers in coordinating colors
-  BoNash 007 fusing powder
-  Wonder-Web
-  Make It Simpler® Fusible Interfacing
-  Silicone Release Paper
-  Aleene’s Clear Gel Tacky Glue
-  Foam adhesive squares
-  Decorative flower and coordinating buttons
-  Iron and inkjet printer
-  Rotary blade and cutting mat, small scissors

1.  To pre-treat Lutradur for inkjet printing, brush a thin, even coat of Iridescent Medium on one side. After it’s dry, insert the sheet into your inkjet printer and print out your image on the treated side. Trim photo to size (photo shown is 3.25″ square).

2.  Center and fuse small piece of fast2fuse to the back of the Lutradur photo, so the image pops against an opaque white background (use Silicone Release Paper underneath to protect your ironing board). Set aside.

3.  Center and fuse background fabric to fast2fuse (use Silicone Release Paper underneath to product your ironing board), then trim page to 8.5″ x 11″ with rotary cutter. Follow directions inside the fast2fuse package.

4.  For extra sparkle in your layout, use pieces of Ultra-Light Lutradur to trap Angelina fibers. Sprinkle BoNash powder liberally on top of background page, in the area you want to trap, within your desired size of Ultra-Light Lutradur. Lay fibers on top of the powder. Use your finger to brush excess powder inside desired area, and place your trimmed piece of Ultra-Light Lutradur on top. Hold it in place and trim away any stray fibers poking out (if you click on the picture to zoom in, you’ll see where I wasn’t very careful about my stray powder and fibers!). Place a sheet of Silicone Release Paper on top, then press with a dry iron on high heat for 5-10 seconds. Press a bit longer if needed to adequately melt the fibers and secure the Ultra-Light Lutradur in place.

5.  To finish the edges of your small fabric pieces for framing your photo, fold back and finger-press the edges about 1/4″ all the way around. Trim the corners of your “hem” edges at an angle to remove bulk. Fuse each hem on the back with strips of Make It Simpler Fusible Interfacing. Fuse each fabric frame and the photo in place, one layer at a time, with small pieces of Wonder-Web.

6. Stack three graduating sizes of buttons in alternating colors and glue them together with Aleene’s Clear Gel Tacky Glue (three separate button stacks shown here).

7. Adhere button stacks and decorative flower in place with foam adhesive squares. Your finished page is suitable for framing, or decorate both sides of the fast2fuse page (it’s fusible on both sides), and bind multiple pages together with jump rings or ribbon to make a chunky fabric scrapbook.

 

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Featured
Buy a charity raffle ticket for your chance to win this quilt!
Slicequilt_Full

Slice Quilt 2012 - 86" x 68"

Last year, a group of C&T staffers got together to create a gorgeous slice quilt based on Van Gogh’s painting, Bedroom in Arles. It was auctioned off at the NAMTA show as a charitable fundraiser for art education, grants, and scholarships.

This year our team did it again, using Van Gogh’s painting, Wheat Field with Cypresses as inspiration. Click the image above to zoom in on all the amazing detail. Our last post introduced you to the artists and showed just the quilt top, but now the talented Sue Fox has quilted it with incredible panache, and the quilt has been shipped off to NAMTA for the show next week.

You can purchase raffle tickets online until May 10th. Just $10 gives you a shot at bringing this baby home, and it’s for a really great cause!

Related posts:

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Lost quilts have been found!

foundquiltsYou may recall hearing about our lost quilts last year…four of our authors’ original quilts had gone missing after being displayed in our booth at Spring 2011 Quilt Market. We looked high and low for months, and our friends and colleagues in the quilt world were all so supportive by helping us spread the word online, in the hopes of finding these priceless treasures.

So you can imagine how thrilled we are to report that all four quilts have just been found in perfect condition and have each been returned to their owners. They had been safely tucked away all this time, just waiting patiently to be discovered offsite, inside a mis-marked long-term storage box. Oh happy day!

AllieAller

Allie Aller (far right) is happy to have her missing quilt (foreground) reunited with its "sisters" at a recent guild trunk show

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Artful Fiber collage
Lemon Lime collage

"Lemon Lime" by Lisa Fulmer (8.5" x 11")

I am so inspired by Rebekah Meier’s new book, More Fabric Art Collage…the sequel to her bestselling Fabric Art Collage. Between her two books, there are over 100 mixed media techniques! She shows how much fun it is to layer together richly textured surfaces like Lutradur®, Ultra-Light Lutradur®Timtex®, and bamboo batting. Tinting and printing everything with yummy colors and imagery is a blast, too!

Our new product coming out in May, Artful Fiber—A Mixed Pack of Fibers & Surfaces, makes it so easy to experiment with tons of different ideas. I’ve been working a lot with the Artful Fiber pack over the past few months, designing projects and filming technique tutorials for my new Artful Fiber Video eBook that will be releasing in a few weeks…more on that soon!

Lemon Lime detail

Detail (click the pic to zoom in)

All my color tinting was done with Liquitex® Acrylic inks, custom-blended from primary colors to create water washes that I brushed on. I also edged each collage piece with Copic markers and used Beacon’s 3-in-1 Craft Glue to adhere everything. I stabilized the batting with Shape-Flex® on the back, then glued a wide strip of double-thick cardstock (with a hole punched) on the back for hanging. The diagram below gives you some more details so you can create something similar in your own signature style and colors – have fun!

diagramfulmercollage

1.  Bamboo batting
2.  Lutradur (100gm) – inkjet printed with a photo I took of the gravel in my yard
3.  Timtex interfacing
4.  Lutradur (70gm) – distressed with a heat gun
5.  Lutradur (70gm) – 2 pieces with a narrow hand-rolled bead made from a strip of Ultra-Light Lutradur, plus a handmade spiral polymer clay bead
6.  Timtex interfacing – ink was blended with Liquitex Iridescent Medium
7.  Lutradur (100gm) – inkjet printed with a photo I took of the leaves on a loquat tree in my yard

Related posts:

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Free project: Vintage Photo Collage Mobile

vintage photo mobileDesigner Shirley Rufener was kind enough to let us share one of her project tutorials that she recently demonstrated on her local TV morning show. She used TAP® Transfer Artist Paper to create this wonderful photo mobile!

Materials:

- 2 sheets of TAP
- 2 sheets of ivory craft felt, 8-1/2″ x 11″
- 3-4 yards of 1″ or 1-1/2″ twill tape
- One 6″ wood embroidery hoop
- Pinking or deckle-edge scissors
- Brown embroidery floss and embroidery needle
- Vintage or sepia-toned photos
- Brass jewelry findings:  6 bead caps, 1 yard large-link chain, 3 large oval necklace rings, and 1 large round necklace ring
- 2 pairs needle nose pliers and metal ring cutters
- Additional brass filagree findings or other embellishments
- Fabric glue and clear heavy-duty craft glue

1.  Scan and prep your photos in a photo editing program to lay out several images together (about 1/4″ apart) on to one 8.5″ x 11″ sheet. Print out two sets of photos on to two sheets of TAP and then transfer each set on to a sheet of felt using a dry iron at high heat (follow the instructions inside the TAP package).

vintage photo transfers

2.  Trim out each photo from the felt allowing for a 1/8″ white border. The TAP’s clear polymer surface in between each photo will give you nice crisp edges on the felt when you trim.

3.  Cut six 18”-20” long strips of twill tape and lay them out on your table, side by side. Decide how you want to stagger your pairs of photos in position against each strip. You will be sandwiching each strip between the pairs, with photos facing out.

4.  For one pair of photos at a time, apply 2 very thin strips of fabric glue with a brush on to the back of each photo at the top and bottom (to prevent the glue from bleeding through the felt into the image area).  Sandwich the twill strip in between the pair of photos and press into place; allow to dry.

5.  Adhere your filigree findings and embellishments in between the photos on the twill with small amounts of clear heavy-duty craft glue; allow to dry.

6.  Add a straight stitch around the edges of the photos (through the twill) by hand with embroidery floss.

top view of hoop7.  Separate the two rings of the wood hoop. Fold the top edge of each twill strip (about 3/4″) around the inner hoop, space the strips apart evenly around the hoop, and glue. When dry, secure the outer hoop around the inner hoop (the twill edges will be concealed in between the hoops).

8.  Glue 3 sets of 2 bead caps (each pair should be only 1/16″ apart) to the outside edge of the outer hoop, centered in-between the twill strips, with heavy-duty craft glue. Glue one set of caps on at a time, so you can prop up the hoop vertically while they dry (otherwise gravity works against you).

9.  Clip through each of the 3 oval necklace rings, spread each ring slightly apart and place over the hoops in between each pair of bead caps.

10.  Clip the yard of chain into 3 equal lengths. Slip the last link of each length on to each oval ring, then close the rings using needle nose pliers.

11.  Clip through the large round ring and spread it slightly apart. Slip the top links of all 3 chains through it, then close it. Your mobile is now ready to hang – enjoy!

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Member since Sep, 09, 2010
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